“A painting is above all a product of the artist’s imagination; it must never be a copy” Edgar Degas
The quote sounds most appropriate for opening the review, as the book is. Paintings, Edgar Degas, forgery, Gardner Heist and romance – what can be better than this book, to spend a Sunday with! This is one of my favourite books and i enjoyed reading it yet again today.
Claire Roth – the great pretender, is an astonishingly brilliant artist with a penchant for finding trouble. First, its Issac, her teacher, mentor and married boyfriend, who when facing an artist blocks, allows a painting in 4D dimension painted by Claire to be put forward in a competition signed under his name. When the painting becomes an instant hit, he breaks up with Claire since he finds himself in need to put a distance from the true artist behind his fame. Claire, in a fit of peeve, follows her heart and tries to tell the truth, causing museums, art society and newspapers to question the provenance of the painting and Issac to commit suicide. “And in contradiction to conventional wisdom, i was fast discovering that there was, indeed, such a things as bad publicity”
Picking up pieces and shunned by the art society in Boston, Claire is approached by Aidan Markel, who wants her to forge a Degas. This part of the book where Claire loses herself in Degas’s painting is a joy to read. “His use of dark and light values to create texture, depth, and shadow. How he seizes an unselfconscious moment of everyday life, like the mother and wet nurse in Races pressed together as they proudly gaze at the infant, then sends it galloping away.” While painting the forgery, Claire also establishes that the painting which Aidan considers to be an original stolen during the famous Gardner heist, is actually not an original Degas after all.
Post forgery detection, which puts Aidan in jail, forces Claire to find the original (not all thirteen paintings stolen during heist) and links her name to yet another notoriety. At conclusion, the reader finally finds the gratification of seeing Claire recognised for her talent associated with her own original paintings and not yet another copy. “But, just desserts, it’s impossible to know if this newfound fortune is due to my talent or to my infamy in a world of instant celebrity. Whether i’m a great artist or just a great forger.”
The book runs in three main parallel themes – Claire’s past, her present and Isabella Gardener’s letters to her niece detailing her affair with Degas and acquisition of the painting in question – “After the bath.” Its hard not to feel bad for Claire who seems to draw a short end of the stick at every turn. She lost one man to death, who couldn’t stand the thought of her being a better painter than him and another one to FBI.
The techniques detailed in the book of original painters and the forgers is quite interesting – reading about creating a copy of more than 100 year old paintings within a span of few days was absolutely fascinating. Author has kept the book details interesting and light, thus allowing the reader to drive pleasure from the same, without getting bored or overwhelmed with it all. Authors ingenuity in taking a painting out of the world famous heist and weaving a spellbinding story around it is commendable.
The Muralist, also by B.A.Shapiro is next on my reading list. Looking forward to it!